Lichtsignale otto dix biography

Features of the artist Otto Dix : Oddly enough, contemporaries valued Dix primarily as a portrait painter.

Otto dix the war triptych analysis

The grotesque images of lawyers, doctors, journalists, poets and artists that Dix created in the s were ordered to him by the models themselves. This is hard to believe, because Dix was truly merciless. But it is easy to believe in it, because he was fantastically insightful and accurate. Another huge part of his work is plots about death and human states, similar to death, moral and physical.

Shameless prostitutes, voluptuous sailors, poor beggars of war, illness, sophisticated murderers and sadists, bloody mess of military fields - often these are pictures on the verge of kitsch, on the verge of decent and acceptable: they shock, turn inside out, instill fear and desire to quickly run. No triumph of the spirit and noble struggle - only people physically and morally crippled, who became the symbols of their time, the eerie allegory of post-war Germany.

Fritz Glazer". Otto Dix called himself a realist. In the era of avant-garde artistic searches and the birth of abstract art, all that interested him was an obsessive, unbiased fixation of the surrounding reality, people and landscapes. And if the artist saw around only the earth, twisted by explosions and dug by trenches, and dilapidated people, collecting themselves in parts, from flesh and garbage, he had to write just that.