Deidi von schaewen biography definition us history

Attached to the notion of the ephemeral, she began a work of cataloguing, aiming to identify traces of reality. Her objective, frontal photographs consist of scaffolding, walls, gutters, footpaths and some silhouettes.

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Distancing herself from her early research, the artist now exhibits elements of architecture, landscape and cities from around the world with a constant concern for objectivity. She photographs buildings of contemporary architects such as Tadao Ando and Jean Nouvel. To reveal what she perceives, D. Always inspired by her environment, her works composed in series reveal yet another of her obsessions, that of ephemeral traces that find themselves in modern cities in various forms.

They bear witness to that which appears to be the new everyday aesthetics: walls beginning in , scaffolding in and footpaths from , to the more recent covered cars and Indian towers became the very object of her visual research. For her work Inside Africa , the artist created a link between her interest in architecture and in the ephemeral by looking at other forms of habitat.

Her series shows the precariousness of urban housing and shacks in certain regions of Africa, built like a colourful patchwork of everyday elements. Deidi von Schaewen, Barrages. Deidi von Schaewen, Sidewalks. November, — January,